incidentally, it's pretty much the same that doc edgerton used for many of his bullet photos: you start a picture in bulb mode in a dark room and use a sound trigger and time delay to trigger a strobe based on roughly how long you expect the delay between the sound of the bullet firing and it hitting the thing you care about.
Once you have a rough window, you can spend the rest of your time fine tuning the delay for whatever effect you're going for.
now putting on my dan meyer hat, it feels like a fun exercise to determine his reaction time based on the approximate speed of the car (possibly derivable if we know the shutter speed?) anyhow, cool article.
The microphone is best triggered on the shock wave of a supersonic bullet. Accidentally shot a mic once trying to get it to trigger off a subsonic air pellet :-)
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Music can date a film badly.
The following year Star Wars was released, so I guess 1976 was the last year of movies with complex dialogue. :)
Or maybe, instead, there has always been a wide range of dialogue complexity in films.
edit: to clarify, I do not mean things like accessibility, I mean "beautiful" user interfaces that are frustrating for power users. just a sideways rant.
all the people crowded there to see the grass (more or
less) green, the water blue
These days it's the water that's green: http://www.nbcolympics.com/news/rio-officials-drain-green-wa...