This is significant to me, as I suspect many of the people with anxiety that is significant enough to be diagnosable would not be willing to do it or would pretty much shut down if placed in the setting.
To delve into personal anecdotes:
I had a theater class in school that regularly included improv exercises like described. In 11 years of it (K-10 or so), I don't think it ever went well.
The actual manifestation of the problem with "no script" was drawing a complete blank as soon as I was asked, not having a bunch of ideas I was scared to respond with.
It's certainly possible that these people have a better method, but I had multiple theater teachers and I was socially fine in normal settings. All these activities tended to do was give me more anxiety issues because everyone else could come up with things and I'd just be stuck there no matter how people tried to help me get going.
Those are not really common situations in adult life, but I'm still bad with "icebreaker" games and other similar things that "put me on the spot" to come up with something outside of normal social interactions.
And yes, it definitely trains you that there is no "right" way to have a conversation.
I think the main difficulty is that normal conversational success can be different than improv success. In improv, you want funny. Funny can be good in normal conversations, but most people are after other things. Understanding, support, connection, reflection. New improv people can be fantastically annoying if they use it as just another way to hide and deflect.
How do you overcome fear? practice and progression.
What's improv? Practice and progression.
maybe a bit simplistic... but some answers are just that simple.
I will definitely make sure to tailor it 100% to be approachable by even the most awkward introverted IT’ers among us; I’ve been in the business for long enough to know how. No pressure, guaranteed. Sitting and watching for the entire workshop is also fine.
No charge beyond a few quid pp to cover a room. beyond that we just need an evening and some snacks.
My contact is in my profile; reply here or drop me a line—would be a lot of fun to make some magic happen!
It was super low pressure and very supportive and I would rate it in the top 5 of life transforming experiences for me. Others are travelling without preparation, joining Toastmasters and picking up martial arts.
From a basic trust in the scientific process (but also noting the limits of scientific psychology) I figure that social anxiety and the like are serious mental illnesses. But I immigrated as a three-year old and didn't know the language/make any friends for a while, so my social skills always lagged. Theater lessons (some of which was improv, but we wrote our own sketches for a capstone play for our own families) sort of helped me balance that. If there was any anxiety it was secondary/symptomatic of some underdeveloped stuff, much like people develop math anxiety.
In retrospect, I attribute it to the "growth mindset" phenomenon: beginners make fools of themselves onstage whether they are awkward or easygoing, so you realize that being-comfortable-in-your-skin is something you can learn rather than something you were born without. Maybe this is what people are going to "hackathons" for - in a pressured time-boxed situation people are less likely to look down on the less math/programming-literate and help them instead.
Not surprising. This is how I conquered my deep fear of flying. I took some flying lessons and even had the instructor do stalls and other scary stuff and I was 95% better afterward.
It’s so much easier to take a drug or blame biochemistry than to face your fears. I think it’s underrated in today’s world where there’s a handy diagnosis for everything.
Note: not casting aspersions on people with serious issues. But when 20% of the US population is supposed to have anxiety disorders, something doesn’t make sense.
That's what happens when a culture undermines the virtues of independence, competence, stolidity, and maturity while venerating childishness. It's what happens when a culture overvalues safety and the avoidance of suffering and undervalues character. Coddled children turn into adults who lack the skills and experience to deal with hardship.
Exposure therapy is hard work. It requires calmly distancing yourself from your fears and anxieties, believing that they can be overcome in the first place, strategizing about how to overcome them, and carrying out actions that are genuinely terrifying to you. It requires valuing freedom from your own emotional limitations over freedom from discomfort. It requires preferring being capable over being comfortable. And that's a hard mindset to cultivate if you were raised in a society where parents sometimes get into legal trouble for letting their kids walk to school or sit outside in the car while they're grocery shopping.
20% of the US population does have anxiety disorders, because the US is suffering from a psychiatric epidemic.
I think coming to the point where you're ready to "face your fears" may be the real difficulty, and not just because people are lazy, stupid, or "coddled". On the contrary, we as humans are really smart. The mind has developed complex strategies exactly for avoiding dealing with your fears.
I remember being such a shy child that in school I couldn't even get myself to stand in line to the sink in which all the others were washing their hands before lunch.
My mother sent me to acting classes when I was eight or so and this experience changed me forever.
It's the sheer adrenaline of being at the center of attention with your group that does this - just about any social situation becomes manageable after that.
Don't even get me started on the level of privilege needed to pay through enough class levels to let one of the theaters audition you for their non-paying staff performer spots.
Here is the abstract:
Adolescents who have Social Anxiety Disorder do not receive the support they need. Improvisational theater involves regular exposure to social performance situations, and is recognized as a potential psycho-social support to enhance well-being and symptom reduction. The current study examines whether participating in a school-based improvisational theater program predicts reductions in symptoms of social anxiety. A total of 268 middle and high school students who participated in a ten-week school-based improvisational theater program completed surveys in a single group pre/post design. Adolescents who screened positive for social phobia at the beginning of class reported reduced symptoms of social anxiety at post-test. This change predicts increases in social skills, hope, creative self-efficacy, comfort performing for others, and willingness to make mistakes, along with marginal decreases in symptoms of depression. Given that no prior study has examined school-based improvisational theater training and its relationship to social anxiety, this work offers an important early contribution to the empirical literature on improvisation and mental health. School-based improvisational theater training offers an accessible, non-clinical alternative for addressing social anxiety problems among adolescents.
At least in the Bay Area, Drama Club seems to be a safe place for socially awkward teens.
Picking up a few joke books was really helpful to me, so I suspect that taking a class might be even better.
Almost like you're playing catch, but you tossed the ball to a place that makes it too hard for your friend to catch. Another example would be writing a comment (even this one) and consciously making sure it's easy to reply to, rather than just expressing myself.
I suppose it's like having a binary tree, and trying to pick a node that's not too far down the tree.
I find myself having to take a step back and consider what I'm going to say and if it makes sense (in general) for someone else to continue off of rather than just talking.
I don't know how I can alter a class so it's Zoom-ready, but maybe this research will help me convince some Guinea Pigs at my company.