history: https://en.wikipedia.org/wiki/K%C4%81k%C4%81p%C5%8D#/media/F...
They're flightless, it doesn't help them escape rats, cats, and stoats.
Despite all of that, I can still appreciate how incredible a brand-new kakapo cloak must have looked.
Perhaps one day they will again number in the thousands. There are islands with no rats or predators where they can breed safely, now.
Related trivia: the Takahe was thought to be extinct until someone went far inland to a remote valley in the 1940s and found a population there.
If you're a moderately successful Pacific rat living on Aotearoa and white settlers just showed up on a boat then even though you're an invasive pest the rats on that boat are as a big a threat to you as to the native wildlife.
https://en.wikipedia.org/wiki/K%C4%81k%C4%81p%C5%8D#/media/F...
Of course I can't not mention our other more famous green parrot, the Kea, who are best known for dismantling cars in their spare time.
https://en.wikipedia.org/wiki/Kea
https://en.wikipedia.org/wiki/Kea#/media/File:Nestor_notabil...
https://twitter.com/spokesbird
It wasn't quite as exciting as when Stephen Fry's film crew met him. The video of that encounter is the origin of the Party Parrot emote which you might have seen on Slack.
The documentary linked in that clip is called “Last Chance to See” and is an outgrowth of an earlier collaboration between Adams and the BBC, which also included a book by Adams that I highly recommend. The Kakapo is a prominent character.
“Ah, that’s why.”
https://www.youtube.com/watch?v=9T1vfsHYiKY
The shaking parrot head emote with rainbow coloring in Slack is from this video :)
Edit: Realized that someone already posted the video here below in the comments.
> How do you set about conserving an extremely fragile Māori cloak, made from the feathers of a critically endangered parrot, while observing culturally appropriate practices?
Obviously, by locating it in a place over 10km from where most Māori live so actual Māori will never see it. It's like satire.
Also, this is a cooperation with the NZ national museum, I'd expect them to know what they're doing
I'm also torn, because one the one hand the plundered items the British Museum and other UK museums hold should be returned. On the other hand, being outside locations where they might be destroyed[0] e.g. Iraq,Syria, and also the sheer budget and technique to preserve things are both arguments to keep the collection the way it is. The preservation vs plunder is a long running argument[1].
Modern techniques enable digitizing[2], but that wasn't available previously. Digitizing is a path forward that's less controversial (though still isn't quite the same).
Then there is the Kohinoor[3]. Let's chalk that one under colonial plunder.
[0]: https://www.newscientist.com/article/mg22530125-000-can-we-s...
[1]: https://merip.org/2018/05/preservation-or-plunder-the-isis-f...
[2]: https://www.thedailybeast.com/can-we-digitize-history-before...
[3]: https://www.abc.net.au/news/2022-09-17/indians-want-kohinoor...
There is some benefit to spreading historical artifacts around to protect them over the long term (i.e. we can't know what any place will look like in 1000 years), but only if there are multiples, and it still has to be given not taken.
I did say that I wasn't clear that this had been plundered (as opposed to purchased), but I'm not sure that matters either. It's a piece of cultural heritage and the British were unwelcome guests.
Similarly, the British say the Kohinoor[0] was transferred legally (surrendered). But if is made under duress and it doesn't seem valid.
I think preservation vs plunder argument is an easy copout for those that are keeping stolen goods.
Even if you accept this premise, there are a good handful of other countries relatively untouched by war/instability that would be safer homes. The argument is a thin fig leaf.
I doubt they shipped it parcel post.
The end result is that the cloak will be on public display. TFA says that the museum where it will be shown isn't finished construction yet. The cloak will be on display at PMAG in Scotland, until the new museum construction is done (2024). After that, I imagine in the future it might even do a world tour, as many irreplaceable antiquities do.
We're talking about the British deciding where to store other cultures' artifacts? What makes you think a sober look at the quality of conservation facilities would be the deciding factor?
(Though it's important to note that the thread's premise is wrong, as the article refers to Perth, Scotland, not Perth, Aus)
No, unless I misinterpreted my parent. We're talking about where the British are /restoring/ other culture's (culture singular) artifacts. And who said the British decided it?