There's just too much art, too many books, too many TV shows, and too much access to it all, to go back to the mostly-shared corpus of mostly-mutually-understandable cultural references we had in the 20th century. You would think that people would at least have read the really famous books, or seen the super popular TV shows, but I am regularly surprised to meet people who haven't.
Fair clues are foundational to crosswords, and foundational to fairness is understanding what the solver can be expected to know.
A Guardian crossword last week referenced The Beatles, Anthony Eden, and the Russian revolution. Fair game? All part of a standard British upbringing, surely? Perhaps for now, but for how long?
https://www.private-eye.co.uk/crossword
Private eye crossword, with downloadable version for use in apps, which references british (and world) politics.
I do NYT despite being British and I had to learn more than I ever wanted about the US and baseball, but it was a subconscious process. It is frustrating when they mention some obscure 70s TV show but I can usually get it from the crossings.
I have trouble when I catch it today because it often has a lot of modern pop culture references that are apparently not to my taste. People or songs I've not only not heard, but not heard of.
Then again, maybe I'm just getting old and yelling at the clouds.
No kidding. I've been seeing puzzles lately where so many answers are so completely obscure that finding half of their letters isn't enough. Unsolveable. Which leads me to wonder (who could know all this stuff?) if the answers aren't being filled in by machine.
There were questions from shows that ended in the 80's. Random political questions about nonsense. None of the questions seemed fair or reasonable. It's like going to a meetup but everyone except you have been best friends for 40 years and just keeps talking over you.
I immediately gave up and never even attempted to try again. I absolutely know I made the right call.
Seems purposefully obscure to me, though I enjoy them and make a point of explaining there's rules to anyone who shows some interest.
Googling now, it seems the guardian has a blog for beginners that covers this:
https://www.theguardian.com/crosswords/series/cryptic-crossw...
like the default isn't to just briefly explain it, the default is to genuinely confused for the next 5 minutes and derail the whole conversation
I’m also curious when we switch to AI generated crosswords. It seems like it shouldn’t be too long from now that they match human constructors.
I construct crosswords from time to time, and I always send my best puzzles to the NYT first, simply because they're the most prestigious and pay the most. (And you can't send a crossword to two publishers at once.)
On your other note -- it's really not difficult to make a bad, or even mediocre, autogenerated crossword using pretty simple software. There's several free or inexpensive programs out there (I use CrossFire). The main obstacles for AI-generated crosswords are:
(a) the "theme", the 3-5 longer answers that the Mon-Thu and Sun puzzles are usually centered around, most of which involve wordplay and misdirection -- it's possible, I'd like to see an AI reliably come up with those.
(b) the clues, though I don't think these are intractable either.
Crosswords can already be generated by AI, but writing the clues in a clever way is non-trivial, making the fill exciting is not a solved problem, and most importantly a shallow AI cannot conceive or generate a theme. AI crosswords will become a thing around the same time AI-created novels do.
But perhaps I am wrong.
I'd be alarmed at having so many new composers to deal with. It takes time to get familiar with each one's style.
0. YearsFor would-be constructors without such personal connections, there’s the Crossword Puzzle Collaboration Directory. The Facebook group launched in 2018 with an associated Google form that pairs newcomers with mentors. It has always been explicit about its aims to provide resources to underrepresented groups: “This matching form is intended specifically for [women, people of color, LGBTQIA+ people, and disabled people] as a tool for addressing structural inequities in the crossword industry. Because our mentors’ time is finite, if you’re not a member of any such group, we ask that you refrain from using the form.”
The explicit intentions aren’t enough, though, and in fact at times the group has served the opposite purpose. When professional opera singer Daniel Okulitch, a white man, was inspired to try his hand at crossword construction after he first started regularly solving them during the pandemic, he found his way to the group. In response to a question he posted, Okulitch was contacted by Brad Wilber, a longtime constructor (60 Times puzzles since 2005) and an opera fanatic. A fan of Okulitch’s singing, Wilber offered his services as a mentor. Okulitch has now published three Times puzzles, including two with solo bylines.
On one hand, obviously people should be able to choose on whatever basis they want where to concentrate their volunteer mentoring efforts, and I appreciate the delicacy of their discouraging phrasing. On the other, it seems remarkable that they New Republic would appear to celebrate the restriction of services on the basis of sex and skin color. Can you imagine the reverse, where black women or disabled transexuals are discouraged from applying? Is the article trying to call attention to this tension, or are we expected to take it for granted?
And what's meant by "the explicit intentions aren't enough"? And is the point that Okulitch ("a white man") doesn't qualify under the "LGBTQIA+" heading? Are we supposed to assume that a white male opera singer couldn't be Gay or Bi or Trans or Queer/Questioning or Intersex or Asexual or "+" (anything else)? Or that he is at least one of these, and that's we he was able to participate? Wouldn't it be simpler (and better) to just let people who are excited about crosswords post a message and see if they meet someone interested in mentoring?
They don't. That's exactly the sort of tendentious detail-plucking and overinterpretation the site guidelines ask you to avoid.
The tone suggests "gosh darnit, a cis white man was able to connect with a fellow hobbyist when he shouldn't have".
I think the point is that despite the given disclaimer and rules, disqualifying individuals are still making use of the group and supporting each other.
For example, if probed, the white opera guy could easily have said he's intersex, no-one is going to check his penis for malformations. He could also have said he's questioning his gender, as there's absolutely zero way of verifying this.
Anyway, he had a leading role in the Brokeback Mountain opera, so that probably covers it.
Yes. You hear web developer, you think, "Probably knows the Clintons."
Feels like the author didn't really have any particular passion about the art of cruciverbalism.