https://x.com/internetarchive/status/1393212448325308416 | https://archive.today/F0QDo
https://x.com/internetarchive/status/1392996252866932736 | https://archive.today/LFmyQ
As one might expect, these tapes eventually began to take up space — a lot of it. By investing in Apple stock, Stokes saved enough money to buy as many as nine additional apartments, which she used as storage units to hold all of her tapes.
Why apartments vs storage units? More secure/humidity/pest controlled?
Also, starting in 1979, I assume the raw price of the tapes was exorbitant.If she lived in a similar building, all she'd have had to do was move her door to the end of the hall, and all of the apartments around her would have become additional rooms.
Rent only really makes sense if you can't afford to buy, generally
I'd really like to know more about why she collected 192 Macs. What did she think/know?
Sometimes stations do keep a record of their old broadcasts. But that depends on their size, organizational structure, funding, etc. some stuff is just lost to time simply because someone felt it was cheaper to just reuse tapes.
As for value, that's hard to determine. Depends on what was taped, when, by whom and in what kind of context. That's where curation comes in to play.
If you want copies of old TV shows that had bad DVD/BD copies, and can get through the VCR snow, then maybe... uploading that stuff anywhere would probably still incur the wrath of DMCA takedowns though, so personal use only.
Back in the early 00s, I had a DVR and for the life of me, I couldn't get a clean copy of some shows. Stations would always throw junk on the screen, and some repeats of repeats would also have them (and sometimes weird cropping angles to boot)
Of course, absence of that doesn't mean there's no value to anyone.
This is misleading statement. If the recording format is better than the source format, it does not mean that the recording of the source will be better than the source. So I'm not really sure why this was added to all of the stats you've mentioned. Why not say that the LTO-9 tapes are better quality than VHS?
You then go on to say that "can" be encoded at around 300MB/h, yet that is also very misleading. Nobody encoding VHS tape sources at 480p will be using that kind of bit rate. You have to be using some very strange settings to even be able to convince an encoder to allow that value, and even then the encoder is so efficient I doubt it would ever use that bandwidth.
https://en.wikipedia.org/wiki/Vanderbilt_Television_News_Arc...
There also used to be tuning screw accessible via a very small hole on most models in the UK, and you could re-tune it to output on a different channel that way, but sometimes you had to open up the VCR to get to that. Or maybe she just didn't know that was even possible. In any case, there would only have been so many spare channels for her to use before she started interfering with the broadcasts she was trying to capture.
Maybe she just liked having a bank of screens that all had a different channel. I know my younger self would have thought that was pretty cool!
Is there any laws or rights to protect her legacy? I can already feel lawyers salivating at it.
If anyone has experience with any of this, please reach out, I’d be interest in learning more.
Regardless, her contributions to archiving TV of the era is nothing short of impressive.