I miss Rushmore’s plain approach. Just enough quirk, sharp acting, and visuals that back the plot instead of hogging it. Newer Anderson films look like photo shoots: pretty, but the story drags. Same story dev teams hit when designers chase pixel-perfect screens and users still wait on real features.
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This is because the older films were co-written with Owen Wilson. Once they stopped collaborating, Anderson's later films are unbalanced - they have the whimsical aesthetic, but are too sweet without the bitter piercing wit and clarity of Wilson's writing to make them less cloying (IMHO).
I miss Owen Wilson.
He was going through some major depression and understandably pulled back from the industry. But he brought something very personable and authentic to comedy, and his absence has been palpable.
Many other comedians of the era were too slapstick and over the top for me. I still can't watch a Will Ferrell comedy with any interest.
Owen Wilson has been a fascinating character with a unique yet consistent approach.
Ferrell... Massive comedic turn off for me. He seems like the guy that jumps into a room, interrupts and yells out a joke out of context, then keeps repeating it louder and louder until some polite fake laughter occurs. I feel bad about being this negative about a fellow human being, but his comedic approach sets off a Bully vibe / response in me in anything I've seen him in except Stranger Than Fiction.
"The Landlord" is a short comedy masterpiece. He's so much better restrained as a straight man/foil than a lead clown. Zoolander, Anchorman.
I can't see anything by thay title and Owen wilson... Any links or detail? Thx!:-)
I never realized Owen Wilson and Wes Anderson were college roommates, and how much they'd collaborated together! https://en.wikipedia.org/wiki/Owen_Wilson
Rushmore is my favorite Wes Anderson film. I think you nailed it. It was a great film that was “enhanced” by Wes Anderson’s style. Newer films seem to be primarily delivery vehicles of his style, with a hint of story and plot to move it along.
Were you in the shit? Yes, I was in the shit.
Yes this. Tennenbaums and Zisou were still primarily narrative fiction which allowed the actors to really be the spotlight, which let the characters really come alive.
In Budapest, French and Asteroid it felt increasingly like the actors were too confined to fulfilling an aesthetic for them to come alive or for the actors to shine.
Apologies in advance for sounding controversially critical, I can't help but be reminded of AI art where its trying so hard to look a way that it stops being something you want to look at.
Absolutely agree. My favorites,in order of how often I have watched them:
Fantastic Mr. Fox Rushmore Royal Tenenbaums Life Aquatic
The rest, I don't really care for, nothing new, just flash, no substance, and have stopped watching his new movies.
Moonrise Kingdom was good too, it had something at its core, not just stylish visuals.
Royal Tenenbaums & Rushmore have always been my favorite, the way they hit every single emotional chord without being overcooked, and with characters that are relatable.
Bottle Rocket fits that bill for me.
Bottle Rocket is a charming film