In fact the value of most information follows an exponential curve. You tell me a movie is sci fi and I immediately know I'm unlikely to be into it. You tell me it's from A24 and I get my hopes up. You tell me both of these pieces of information and I gotta wrestle with competing signals - but either way the absolute value of the expected value of me watching it flattens out and a bit, I no longer expect it to absolutely blow me away nor make me throw my TV out the window.
Hence I'm pro compression culture. Let me decide whether I want to unpack it.
I think the problem is that this compression culture is lossy and fragmented.
Summaries serve a purpose similar to thumbnails in an image gallery UI - the full picture is always available behind a click.
Imagine if you could only see them as 128x128 JPEGs at 50% quality - after they've been reposted with "deep fried meme" filters a few times. No links to the source, and the next bite-sized truncation pushed right after. Later someone reposts them upscaled to 8K.
This is exactly what I feel is happening with the written word.
Maybe there's some kind of a world this is feasible, but in the modern world, just talking about books, there are literally millions published every year. Hell, just trying to decide which movie to watch, there are probably several thousand "Real" movies produced every year, how do you decide which one to spend your precious 3 hours on?
In the current climate, it may seem odd to trust the opinion of a fellow human instead of AI summaries and your personal predilections, but that is exactly what I am arguing we should do.
"Fat old man creeps on his girlfriend's teen-aged daughter."
"Rich guy parties with his friends on Long Island."
"Angsty Teenagers kill themselves."
it's the journey, not the destination