If I wasn't on Anna's side before, I sure am now.
A) You're quite the poet!B) We should all be on Anna's side if we're to live up this board's name even a little bit: https://archive.org/stream/GuerillaOpenAccessManifesto/Goamj...
https://www.law.cornell.edu/uscode/text/17/502#:~:text=Any%2...
Voting with your wallet no longer really matters does it unless your wallet is attached to a billion dollar stock portfolio.
Anna's Archive made threats in writing to distribute, concretely and specifically, the plaintiff's copyrighted works as torrents.
The thing in question being "we copied all your data and are now gonna release it for free". I like what Anna's is doing, but come on! This is dishonest communication if I've ever seen it!
Oh it looks like the justice system isn’t stupid enough to fall for it. Now everyone is angry that the justice system isn’t serious and dumb.
I mean, Anna's Archive was pretty clear about the future bad thing.
Spotify didn't "think", it wasn't just "related", nothing was "undetermined" or "nebulous".
Anna's Archive explicitly announced they were going to start distributing Spotify's music files. It's not even a case of hosting links to torrents but not seeding -- no, they were going to be doing the seeding too. You can't get more clear-cut than that.
I'm not taking anybody's side here, as to what copyright law ought to be, but Spotify isn't abusing the legal process here.
It's not obvious to US English speakers but "spot" was ad industry jargon and became the word for "TV commercial" in several European languages. It's so gross that this ever slid through as a brand for a music app. We've descended so far...Music app branding started with Wesley Willis jokes!
Ek's initial pitch to Lorentzon was not initially related to music, but rather a way for streaming content such as video, digital films, images or music to drive advertising revenue.
So yes, they were always intending to get revenue from ads. And yes, the initial pitch included other types of media too. But I don't think we can call Spotify "an ad platform" that "never actually cared about music" any more than we could call Ars Technica "an ad platform that never actually cared about tech news."But I get you, doing research is hard.
Anna's Archive loses .org domain after surprise suspension - https://news.ycombinator.com/item?id=46497164 - Jan 2026 (358 comments)
Spotify reportedly investigating Anna's Archive's scraping of their library - https://news.ycombinator.com/item?id=46355793 - Dec 2025 (82 comments)
Backing up Spotify - https://news.ycombinator.com/item?id=46338339 - Dec 2025 (701 comments)
Yet all those songs certainly have illegal copies already being distributed on the internet. So what was the actual harm being prevented here? I cannot understand how they hoodwinked a court into this misguided procedure.
Billionaires and enterprises want to see consumers spending to return their investment.
The presence of other - dispersed - illegal material doesn’t diminish said returns too much, this central dump would have set precedent and had garnered massive attention.
This is the capitalist way.
I mean, the archive themselves publicly stated their intention to release all the material, without reference to any injunction. So the implication is trivially true, as a logician would say.
There's a huge difference between a ton of individual torrents or files you need to individually search for, identify, of varying quality, that may be mislabeled and have other sorts of quality issues, and which in no way approach "all" music...
...vs a single, shockingly comprehensive repository of uniformly high-quality music which does, in fact, approach "all" music.
If I wanted to start a pirate music service, it would become vastly easier with this particular repository. Many orders of magnitude easier. That's the actual harm.
If you already have a collection and are reasonably content in what you listen to, topping it up with a few albums a year is not that hard.
Or just use youtube music!
Their relationship with the labels
ATLANTIC RECORDING CORPORATION;
ATLANTIC MUSIC GROUP LLC; BAD
BOY RECORDS LLC; ELEKTRA
ENTERTAINMENT LLC; ELEKTRA
ENTERTAINMENT GROUP INC.; FUELED
BY RAMEN LLC; WARNER MUSIC
INTERNATIONAL SERVICES LIMITED;
WARNER RECORDS INC.; WARNER
RECORDS LLC; SONY MUSIC
ENTERTAINMENT; ARISTA MUSIC;
ARISTA RECORDS, LLC; ZOMBA
RECORDING LLC; UMG RECORDINGS,
INC.; CAPITOL RECORDS, LLC; and
SPOTIFY USA INC.,
Plaintiffs,
ANd then you could read the decision https://storage.courtlistener.com/recap/gov.uscourts.nysd.65...: Factual Background - III
The Record Company Plaintiffs’ business model relies
in significant part on the licensing of their catalogs of sound recordings
to legitimate streaming services like Spotify.
IMO Spotify couldn't care less. The actual owners of music care.Since "owners" take such a big chunk (50%) of paid royalties for streaming there is a strong incentive to only play music that is "owned" by labels and not directly by artists and performers. Controlling the number of "spins" an song or album of theirs gets is still a huge concern of the labels.
Honestly, Spotify itself probably couldn't care less, for the obvious reasons you say.
But the music labels sure do. Their contracts with Spotify surely require it to implement appropriate DRM, stop all attempted piracy, etc. If Spotify wants to be on good negotiating terms with labels, they have absolutely no choice but to take as much legal action as possible.
I am still paying for streaming, though. Still. Not sure if it is really worth it - and once I have my local mp3 collection available for myself - not sure, if I need a paid streaming service. I am getting too old and I return more and more to the songs I grew up with. And to be honest - if I would be missing anything, I could easily yt-dlp it, store it on my server and have it available ti myself via self hosted streaming.
I am loosing more and more interest in streaming. For video and music.
I'd love to self host my music, but curating my collection is a lot of work. I made several attempts, but looking for music I like was too much work for me. If getting "illegal" music becomes easier I'll definitely eventually do this.
Anna always knew the .org domain was vulnerable. Why wouldn't they?
In the age of machine learning, I'm really surprised there aren't superhuman music recommendation algorithms. Or maybe there are, and these algorithms simply don't serve the corporate interests. But then where are the open-source alternatives?
I was redirected to the Windows app to download an episode, and then I got denied from using the app because I was on a VPN with a different location than the one they had on file for me.
Genuinely wonder how much podcast history we're going to lose, if we're just making walled gardens out of RSS feeds at this point. Hope someone does back up the Spotify-exclusive podcasts somewhere.
sharing music and art for free... not so much.
even if i put all my own music for free, yada yada. I do think there is a line and not everything should just be taken and put out for free.
the benefit to human progress should outweigh that damage to the artists or owners of said material.
i think we can all agree that most artists in that bundle are smalltime struggling artists. (the vast majority of something is never its peak afterall...).
is it really so important to listen some artist for free to destroy the income of thousands upon thousands of others? i dont think it adds anything important in our lives.