Unlike other consensus "bests", it's relatively unknown to the public (which is understandable for many reasons). It's very likely that if you're a puzzle game devotee, you will fall in love with SSR; but at the same time, if you don't have experience with puzzle games, you'll very likely hate it.
As a result, I've always thought it's an interesting window into how we value "taste" and "mastery", how too much mastery can actually distance us from one another, and what meaning there is in designing games for an ideal world shaped around ourselves, versus the world we actually live in.
It's well-known that puzzle games sell badly on Steam, and I think part of that is that difficulty and struggle is an acquired taste. Most try to paper over that gap with nice soundtracks and graphics, "hooky" mechanics, and narrative. SSR is so interesting because it contrasts so violently: it's ascetic, has no obvious hook, and offers nothing but difficulty and struggle, and the best feeling in the world if you decide to push through it anyway.
After reading the linked article, and the comments here I still have zero clue about the game. It's a puzzle game involving sausages and a large fork does nothing to describe what kind of puzzles they might be.
Wouldn't really agree considering:
Antichamber, The Witness, Talos Principle, Manifold Garden, Portal, Zachtronics, Tunic, Blue Prince, Return of the Obra Dinn, Seance of Blake Manor, a bunch more I could list.
The puzzle game that reaped all the rewards this year is Blue Prince, it has its sokoban moment, but as a whole it is definitely not a sokoban game.
thinking about how calvin's dad would explain every video game is either sokoban, or chess
The game is hard. I only kinda got the hang of it, and I didn't quite get to that ah-ha moment. You have to be willing to sit with it and think. I think with sokoban games, you can often just almost random walk your way to a solution, because the state space and its transitions is easy enough to wander into. But I didn't find that to be the case with SSR. You have to be able to reason about the state space changes, I think because the state space isn't exactly euclidean, so it's harder to wander into the solution.
I guess Zelda, Metroid and Half-Life also count as puzzle games then. :)
This one? It looks interesting but definitely a lot less visible than SSR and not on storefronts or etc, right?
My list:
1. Antichamber
2. Fish Fillets 2
3. Baba is You
4. Ittle Dew (esp. the Master Dungeon)
5. An Architect's Adventure
6. Cosmic Express
7. Talos Principle
8. Stephen's Sausage Roll
9. Portal
10. Cocoon
Fish Fillets 2 looks simple, but it's one of the toughest puzzle games out there. Especially getting the stars on each level. I love it because the rules are simple, everything's there on one screen, but figuring it out requires a lot of out of the box thinking.- Patrick's Parabox
- Blue Prince
I'd take Void Stranger or probably even Deadly Rooms of Death: The Second Sky over Stephen's Sausage Roll any day, I imagine.
de•li•cious saus•ag•es
I’m good with zero-story puzzle games. I’ve spent many hours in Simon Tathem’s Puzzles [1] on my iPhone, just for the 100% pure logic goodness that they are.
[1] https://apps.apple.com/us/app/simon-tathams-puzzles/id622220...
Deadly Rooms of Death has same movement style as SSR. It is amazing series of games each with unique mechanics. It often evokes that feeling of being in active communication with puzzle author through evolving level design.
I've also enjoyed Rhell: Warped Worlds & Troubled Times, a recently released gem. It is completely opposite of SSR, with how broadly you can approach the puzzles depending on which spells you have available (with many parts becoming too easy if you postpone them). Many games design their puzzles with a single solution. Rhell takes approach of "you cannot pass here, let's see you try" which is a fun spin on the genre. I also enjoyed how you gain abilities through game. In many modern games you unlock higher jumping by collecting skill points and spending them on skill tree. Here the same ability is emergently and organically incorporated into game mechanics. Over the playthrough the player collects new spell runes; at one point you gain rune to apply the spells to yourself. By assigning a combo strong-raise-on-self to a hotkey, you empower the character with the higher jump ability and stop using the normal jump. There's all kind of crazy and innovative ideas in there and the entire game is delightful.
https://youtu.be/85mAmP4k1Co?si=yuxpJ2xhkH7r_eo3
The video has lots of helpful information for puzzle game design. I have started to incorporate some of that knowledge into my own puzzle game https://qcgeneral29.itch.io/lets-learn
Never heard of it.