I could also see someone suggesting Hemingway, although I don't buy it.
Hart Crane at this point in time seems somewhat secondary, so that was surprising.
The Tracy Chapman thing seemed seriously like a troll, I could definitely agree to a black Homer, but then I guess it would be Langston Hughes or James Baldwin as my choices.
To suggest someone though who has the name recognition for American literature that Homer had for the Greeks, it would need to be Twain. You can't really have a great national writer that hardly anybody in the nation can name.
Tracey Chapman is an all time great, but beyond a few song probably doesn’t rise to the American Homer status. I don’t think I would put a songwriter forward for that but if you did it would have to be Dylan.
Tracy Chapman is a pretty trolly answer, but I suspect the real answer might very well be a musician or filmmaker, not a writer.
I think it is probably not a prediction that will end up right, because music is sort of limited by changing musical styles. But it is an interesting one.
Some of his works are already in the public domain in the US and can be found on Project Gutenberg, so you may not have to buy.
If we are going to include musicians, Tracy Chapman indeed seems like a troll when have the significantly more impactful Bob Dylan, who dramatically altered the musical and political discourse at a key time in American history. Tracy Chapman... had a few good hits?
My vote would go to Edgar Lee Masters because the spoon river anthology is one of the few poetry books I actually read, and it exemplifies a lot of the American spirit, IMVHO.
Poe seems like an obvious candidate no one listed.
No single author has defined how America speaks and writes the way Dante did for Italian or Cervantes for Spanish. And perhaps no one ever will.
One aspect of Huckleberry Finn (the novel) that I think is relevant today is the spectacularly stupid zero-sum conflict between the Grangerfords and the Shepherdsons. It seems relevant to the US's politics and many international conflicts
1972 -- The Godfather -- This encapsulates the American Dream better than anything else. It captures the arc of an immigrant story, of fitting in with America, and what it takes to succeed.
1974 -- The Conversation -- Chronicles where America is going as technology and politics changes and the impacts on our culture, through one man at the center of it.
1974 -- The Godfather Part II -- The story of an America and the image that it's built up, and the bloodshed necessary to both get there, and to cleanse its hands from the past.
1979 -- Apocalypse Now -- The sins of a nation that's ascended, and how the rest of the world must deal with America, and what it does to the psyche of those charged with empire building.
There's a body of work there that captures America in its totality more comprehensively than what anyone else has done. If I had to reduce this down to one choice, then it's simply The Godfather.
Longfellow got dismissed by several people here for being too sentimental - but I would argue that sentimentality and saccharine character is distinctly part of America's mythos.
Washington Irving and Parson Weems would both also be good candidates. Early writers who had a penchant for mixing real history with tall tales.
The name I would throw out is John Ford. Ford basically invented the modern action movie, the mythology of the West, redefined masculinity, established the tropes of a hero, etc.
"All modern American literature comes from one book by Mark Twain called Huckleberry Finn. American writing comes from that. There was nothing before. There has been nothing as good since." Ernest Hemingway
These are the Holy Scriptures, and - like the Homeric ones - have multiple authors but lack the obscurity of ancient history to allow that latter fact to be subsumed into the story as a single, blind bard.
In that case, I think The Great Gatsby is the most logical equivalent to the Iliad and Odyssey. To me it conveys the essential elements of the American character: obsessed with reinvention via commerce, but inevitably tied to the past. It’s also probably been read by the majority of Americans, or at least the story is well-known. Can’t say the same for Twain, Melville, etc.
For more recent authors though, I think Don DeLillo is the best chronicler of mid-late century America.
The American equivalent of Homer, Dante, or Cervantes is Shakespeare.
https://en.wikipedia.org/wiki/East_of_Eden_(novel)
https://en.wikipedia.org/wiki/The_Grapes_of_Wrath (one of the best books i've ever read)
* Mark Twain * Matt Groening
They are people who have captured the zeitgeist of their time and immortalized it in their art. They deliver their (countercultural) messages in an accessible and relatable way and have had a huge impact on our society.
I would add Shel Silverstein as my personal favorite.
Author is conveniently avoiding mentioning France, which does not have a major figure weighing on the others that much. Hugo is probably the most homeric of the classic French litterature, but he’s much more recent and nowhere nearly as dominant as Shakespeare in England or Cervantes in Spain (which borders on the ridiculous in both countries imo).
It’s a better situation not to have an Homer but a constellation of good stuff.
In the USSR, people of multiple generations grew up watching the same things, e.g. "Nu Pogodi"
In the USA, every 10 years there's some new genre of music, or artists being promoted.
Homer is known because back then, very few people could even read - let alone write. Actually, Homer couldn't, I think.
Homer, or the Homeric tradition, arose as rootless people displaced by drought and war in ~1,000 BC needed to sell the idea that entertaining stranger guests who had only stories from afar was worth doing, and that they shared common gods (versus the city-specific gods of earlier). This mind-set supported looser city-state alliances and cultures open to trading and ideas, who then outgrew the more xenophobic cities (like the Etruscans). So they semi-accidentally created a legitimizing belief system and thereby stumbled into founder roles.
America as the land of opportunity has flourished by acquiring more land and capturing value better, mainly by diminishing obligations to country and god and fellow humans. Yes, many writers bore witness to the frictions this involved with varying degrees of acuity or tragi-comedy, but no American writer wrote in a way that actually established this American mindset.
I think instead the mindset is perpetuated by each era building achievement heroes, stimulating belief in unbounded personal possibility. American literature is reduced to pointing out the vacuous consequences. As William Carlos-Williams wrote looking into his mirror in middle age, "I am lonely, lonely. I was born to be lonely, I am best so! [...] Who shall say I am not the happy genius of my household?"
If I had a vote, I'd nominate Willa Cather as the writer who portrayed that knowing moment of the powerless, non-achieving people enthralled with the beauty of nature as it was being destroyed. It's not what guides Americans prospectively, but it might best reflect history's perspective and our own retrospectives.
(I should add that I'm glad America has hoisted individuals and done so much to lift the global standards of living and care, even if it was more by greed and necessity than charity.)
Dare I suggest Bob Dylan?
https://www.gutenberg.org/files/8683/8683-h/8683-h.htm
I wouldn't actually vote for him but I don't think he should be forgotten and he should be mentioned in such a discussion. I would probably say Stein, solely for The Making of Americans.
Recommendations elaborated on in the article are a solid set. Mark Twain or Walt Whitman would probably get my vote.
(cf Saul Bellow asking “who is the Tolstoy of the Zulus”, and Ralph Wiley in the Atlantic saying that Tolstoy is the Tolstoy of the Zulus.)
Cannery Row, To a God Unknown and Tortilla Flat are easy to read examples of this if you don't want to commit to East of Eden and The Grapes of Wrath. Travels with Charley is also a log of America in the 60s, even if you take it as a novel.
I can't argue against Whitman though.
Such a person may not have been born yet. Maybe we need to go back to the stone age and rebuild civilization before a bard as reputable as Homer appears in what we currently call America.