I think good fiction is actually the antithesis of AI, fundamentally. LLMs are really only capable of combining different things into output. This can give you some creative results, but it is ultimately kind of limited. I cannot imagine that prompting an AI a thousand times would give you something truly original in the way many high-quality fictional stories are. The magic and absurdity of life is a necessary thing to create such works.
> The magic and absurdity of life is a necessary thing to create such works.
These two points seem slightly conflicting. Why if a human is truly more creative than AI, must it experience "the magic and absurdity of life" if it can be creative without "combining things into output"? Is a creative human then just not splicing and recombining their experiences into their creative output? And therefore, if an AI had more data that mirrors that experience in some way would it be sufficiently creative to create something "truly original"?
My view is that intelligence and creativity is all just purely recombination. AI can do that well just as humans can. The gap is that the data humans have access to is much more analogue, emotional, and grounded in the real world compared to the data that AI is currently trained on.
The older I get, the more "nothing new under the sun" returns again and again.
I once tried telling it to write a fantasy novel for me because I didn't know what to read next. Gave it some examples of books I have enjoyed in the past so it would have an idea of my taste...God was that awful. Absolutely terrible idea.
AI is not coming for fantasy authors jobs any time soon!
But I want to say that non-fiction books are a lot more resistant to LLMs than you might think. I'm reading two non-fiction books currently. And both (https://www.goodreads.com/en/book/show/17801.Underground, https://www.goodreads.com/en/book/show/44824581-a-k-pop-live) could not have been written by an LLM. One is based on in-person interviews that were hard to set up, and the is based on a log of sources a number of which are going to live events.
Not every book fits this pattern of course. But even a more straight forward book (https://www.goodreads.com/series/139929-designers-dragons) will often rely on sources that are not easily accessed by an LLM, they may not be digitized, or they may not be accessible in your common digital collections.
I 100% think LLMs can do good synthesis work, don't really think we have the tooling/checking in place for them to write a competent non-fiction book yet, but that will certainly happen, but I still think the best and most interesting non-fiction remains firmly in the realm of humans.
(Also, a lot of non-fiction is memoirs, travelogues, etc. which LLM can't really replace unless you're dictating to it.)
Everything else is just not that interesting to a human.
LLMs are really only capable of combining different things into output
what makes believe humans can do more than this ?it's a real question. I've seen a lot of people stating that the human mind "is more than this" as if it was obvious
From what I can see, AI is absolutely able to create new work. Things that are not in the dataset, but look like they could be. This is pretty much what generalising means, they can make a wide variety of things that aren't actually in the original set but can hide in that set pretty well.
When you are an original piece of culture, what do you mean by it?
I do think book prizes are a better-than-average signal but I previously volunteered with a book award. I will caution that pretty much every publisher mass-submits these books for consideration in every remotely relevant prize. It is a cost of doing business (similar to how photographers pay to enter photography competitions to try and win the "award winning photographer" title, or businesses submit dossiers with consideration fees on why they're one of Michigan's top 100 places to work).
There are often so many books and so few willing qualified readers that which books get an award can either be completely arbitrary, or comically easy.
For example, the NCR Book Award in your book corpus faced a big scandal when it was revealed that the judges did not read the books themselves. [1] The PROSE award is so comically large that an ordinary category finalist or win is usually overstated in prestige and value.
[1] https://www.theguardian.com/news/2013/may/19/literary-prize-...
The recent "society & culture" books gave me some good book club ideas.
Bug report: filtering by "award" appears to be broken for some awards. If I select Pulitzer or National Book Award, no books show up, but I can find books with these awards by browsing.
We all know the "AI-tics" that give away a sloppily AI-written piece, but even if you steer them, they still struggle to write consistently high-quality prose.
Somehow I feel that the work of a good copywriter has never been more noticeable.
That said, I had high hopes for the catalog that the author had put together, but for my technical fields, I found it lacking. Trying to find books that would be close to van Soest's Nutritional Ecology of the Ruminant or van der Werf's Animal Breeding: Use of New Technologies, yields a whole bunch of pop-sci titles. The joy of finding these titles at the library in the past was how remarkably understandable and engaging they were while remaining scientifically rigorous. I immediately feel that the pop-sci titles that I was recommended are going to try to sell me something or some idea, rather than letting me explore ideas myself. I guess that means I need to go back to browsing library shelves myself.
> There is really nothing “AI” about this aside from the tool that collected the data and coded it, and, crucially, semantic search […]
So really, everything about it is AI. And that’s not a bad thing! It’s okay to simultaneously preach the superiority of award winning books over AI-generated garbage while also acknowledging the same AI as a valuable tool for other uses.
Libraries are certainly declining in their traditional form. I find it odd that everyone has a digital resources in their pocket yet libraries are squeezing out physical books to make way for more and more computers. Try to find paper copy of the Sony founder's book.... that will be £50 on amazon. Prohibitive. No library within a 10 mile radius has a copy.
I remember joyfully discovering Tony Royce's book in my library a few years ago. That enlightenment will never happen now. Primary knowledge is being lost, churned crude will forever lubricate the delusions of those who have no facility to collate the basis of our understanding.
You can get quite specific. You can find texts you wouldn't discover unless you spent years studying the topic. Often these are completely approachable and give interesting perspectives they just get buried behind a wall of syllabi and listicles.
This is how I ended up reading Thompson's 'The Making of the English Working Class' and Graves' 'Goodbye to all That' among others.
Also, this is about the lost joy of "browsing".
I wonder how much serendipity played when wandering through a library (or other things in life—even window shopping). But now, everything on the internet, you more or less have to know what it is you're looking for—are rarely "surprised or delighted".
School textbooks are the kind of books that have the very precise purpose of giving you a foundation and roadmap to explore and understand a whole field of knowledge. And they're an industry that has been improving them on successive iterations to produce highly organized, comprehensive and accessible reading material through years.
I'm always cautious when reading nonfiction because it's hard for me to tell if the author knows what they're talking about when I'm not an expert myself. Using awards is a good metric. Maybe.
I am curious what the "score" for each book means. Is it calculated by giving each award a certain weight and adding them up?
I understand your passion is non-fiction, but would be wonderful to have the equivalent for fiction, of which there is a great deal of excellent literature. Perhaps the same site could incorporate both fiction and non-fiction, with a filter?
I just recently read a really mediocre book with a 4.7/5 rating on Goodreads. Shows being sloppy is not exclusively a privilege for neither the AIs or producers.
Now, can this interface with Libby? The worldcat interface is, well, confusing. I can't figure out if it knows libraries near me exist.