back

by david927·19y ago·view on hn ↗
This is an interesting topic and yet the author does it a disservice by simplifying it. Mozart was prolific, it's true, but he could write a symphony in one go. Literally, he would just sit down and write out a symphony. That's not the hard work the author hints at. Then there are others, such as Beethoven, who was great despite not producing many works. Melville wrote few novels, but one was "Moby Dick". Even the work that was done was most likely a labor of love, so that 99% perspiration most likely wasn't noticed by the one sweating.

Further, I'm dismayed that the author attempts to dilute the intellectual capacity as an ingredient in formulating "genius". Name a true genius and I will name you someone who knew their field intimately. It's simply not the only ingredient.

Instead, I would credit perspective. Alan Kay's "point of view". A genius has a way of going down a path where no one else has ventured before, and does so for personal motives. Most geniuses don't try to be geniuses, as much as chase a star only seen by them.

When Beethoven found he was losing his hearing, he wrote a letter to his brothers called the Heiligenstadt Testament, and said, "... but little more and I would have put an end to my life - only art it was that withheld me, ah it seemed impossible to leave the world until I had produced all that I felt called upon me to produce"

1 comments
I think the article is pretty accurate though. Mozart could create a symphony in one go but the author does say that he started at age 3. His father encouraged him and then Haydn was also his tutor.

The way I read the article is that intelligence is necessary but is not sufficient in of itself.

I think the article is silly. One, there's nothing close to a scientific method used -- and this from NewScientist (how embarrassing). He should try to correlate "work" with "results". I'm assuming he started to, realized there was no correlation, and wrote the article anyway. Eating food and breathing are also necessary but not sufficient. Actually those at least correlate. All geniuses did do those two things. I'm not sure all of them worked that hard.

About Mozart, I only used him to try to show that "work" sometimes isn't work. Rimbaud is yet another contradictory example. He started writing in his late teens and finished abruptly at 20. In those few years he produced works of genius.

No, I think another commenter was right. The author is clearly someone on the outside looking in and who is making attempts -- in vain -- to understand.