Photographing in black and white forces the photographer to concentrate on light, shadow, and texture.
There are several art forms where the artist picks a set of restrictions to work in and that exploration can create great things.
The demoscene creates mind-blowing works because they have to work in such a small data space.
If every organism survived and reproduced without any restriction, the sum of life would be pond scum.
The punishing negative feedback of restrictions drives creation – just as much as breaking those boundaries.
Less is more.
Worse is better.
Everything in moderation.
Vinyl has been demonstrated to be able to cut and playback frequencies of up to 70khz, and many commercially released records from as far back as the 70s had data up to the mid 40khz range (and in fact this is required for quadraphonic playback).
A turntable with a nice amp and speakers is a novel treat to people who have grown up with low-bitrate mp3s and ear buds. Sounds different. And having to work a bit harder and paying attention means you tend to get more out of it.
Of course, a well-mastered CD and a nice pair of headphones also sounds great and might be a more accurate reproduction of what they heard in the studio.
I just like music every way :)
I don't know, this all sounds like rationalization to me. Saying "I grew up with vinyl so it sounds more familiar to me" is fine, I grew up with 8-bit graphics and I like them, but they're not objectively better. Trying to rationalize this preference with things like "bigger pixels are easier to see" is a bit disingenuous, though.