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    SP: Two-thirds of the way into your novel,
    Seveneves – in fact, on page 569 – you do
    something kind of crazy. The story suddenly
    skips ahead 5,000 years. What’s the idea here?
It took me maybe a week to read the first 2/3's of the book, and about three weeks to read the last 1/3. In many ways, these two parts feel like completely different books, one of which is significantly better than the other.

Also, I was occasionally distracted at the beginning when snippets of dialog from Anathem were reused in the form of exposition in Seveneves.

But, that said, I think the book is worth reading, especially the first 2/3's.

My personal, quick, rough ranking of Stephenson's bibliography:

    * Anathem
    * Snow Crash
    * The Diamond Age
    * Seveneves
    * Cryptonomicon
    * The Baroque Cycle
    * Zodiac
    * Reamde
    * The Interface
    * The Big U

Haven't Read

    * The Cobweb
    * The Mongoliad
Have you tried Mother Earth Mother Board?

http://archive.wired.com/wired/archive/4.12/ffglass_pr.html

It's a ~40,000 word article from 1996 he did for Wired about the laying of undersea fiber-optic cables. I'd say it ranks as one of his best writings, just behind the Baroque Cycle and Cryptonomicon

Yep, back in 1996 and thought it was great. I re-read it a couple years ago when his collection of essays, Some Remarks, came out.
Oh God, Mother Earth Motherboard was so great. Im really upset I lost my copy of that issue. That was a real treasure to 16 year old me. I'd love to read it again, in print.
Grrr.... being 1/2 through that book right now, I really wish I hadn't opened this comment thread with this comment at the top. Spoiler alert???
I agree with your list mostly except for two points. Reamde should be near the top and Seveneves closer to the bottom. I found parts of SE to be interesting, but in the first part it just becomes a series of characters making more and more unrealistic choices in a survival situation.

I was really into the story until the President shows up. Then for no reason with clearly defined motivations, she starts making divisions that other well trained and selected people start following for no clear reason. It was like Neal knew where he wanted to be in 5000 years, but once he got everyone into space and Earth destroyed he didn't know how to tie them together. So he introduces Julian as a mcguffin to kill the swarm and whittle the survivors to 8 people.

And don't get me started on the mermen.

I think you're bending the term 'McGuffin' slightly past its limit. Originally it meant "interchangeable object of pursuit that drives the plot" - a secret document, a special microchip, a stolen diamond etc. Recently I've seen people using it to mean "contrived shift in the plot", but even then it seems wrong to apply that label to a person. Villain or antagonist maybe?
Maybe you've had the fortune to not have met any really manipulative people. Julia seemed pretty plausible to me.
Could you cite any of these bits of reused Anathem dialogue? I've read Anathem countless times, and didn't notice anything other than "plane-change maneuvers are expensive" or something to that effect, which I think is more of a truism than reused dialogue.
"Plane change maneuvers are expensive" is the one I remember off the top of my head, but I do distinctly recall another line elsewhere in the book. Sorry I can't be more specific.
I enjoyed the second part of Seveneves quite a bit, myself, though I definitely feel like it could easily have been expanded a bit, and become a second volume. I will say, however, that the sharp divides between the "races" felt a bit artificial to me, much like the ways the alien species in something like Star Trek are monocultures, for no obvious reason beyond author/plot convenience.

I'm trying to break through the initial wall in Anathem presently. I think part of what's impeding me is that I bought it in mass-market paperback format, and the binding on my copy is egregiously bad; it's shedding leaves like a Minnesota maple in September.

I think he was going for a take on mitochondrial Eve, and what could happen given current/future technology. But I agree, the racial purity hopes and dreams of the seven Eves would have been obliterated about two minutes after the second space baby hit puberty.

Anathem does take a little while to get into thanks to the language, but it's great!

In one of his recent interviews, Stephenson said that he was intentionally playing off the silly trope of Star Trek type aliens that are basically just caricatures of humans with this-or-that trait emphasized. Not that he was trashing Star Trek, just that he was having a little fun trying to make up a backstory about why humans and vulcans can interbreed.
I haven't read Reamde, yet. I've read lots of complaints about it on Goodreads, so I'm kind of on the fence about getting it.

In your opinion, how was Reamde compared to works like Anathem, Snow Crash, Diamond Age and Cryptonomicon? I'm asking because I like your ranking :)

In my mind it's much more like Zodiac. It's not nearly as "smart" as Snow Crash or Cryptonomicon, and at least to me sort of screamed "grocery store fiction" as I was reading it. That said, I could not put it down, and found myself following every twist and turn with a grin.
Not the GP, but I quite enjoyed it, personally. It's probably the least "Neal Stephenson"-ish work in his oeuvre, to be sure — if you come to it expecting another Snow Crash, you're going to be disappointed — but I had fun with it.
The cool ideas it presents aren't as cool as those in Snow Crash or Diamond Age, and when it goes off the rails it does so way worse than the other two. As I recall it's about 70% bad Tom Clancy plot.

I don't think you'd miss much if you never read Reamde. Whereas Snow Crash & Diamond Age (haven't read the other two) really do have fascinating premises & ideas.

I've read Reamde several times. It's a fantastic book. It's an interesting story set in modern times. I actually think it's a little more down to earth than some of his other work, more of a traditional story arc. I'm a huge fan of Anathem and Reamde is a very different style. The audiobook is also really good with a great narrator.
Reamde was just bad. Not even on the charts. It's extremely tedious and narratively preposterous.

http://coldewey.cc/post/26464791525/reamde-neal-stephenson-2...

I'm going to read a few reviews of Seveneves before I read it, Reamde burned me so bad. Although now that I know this huge plot point (spoiler warning!?!?).... I don't know which way that tips the scales.

Reamde is totally worth reading. Great fun!
I assumed all of his books read like this. Stephenson is great at building a world and characters but once the story needs to stumble into some kind of ending, it all gets contrived and uninteresting. (Right now I am stalled at 75% of Snow Crash.)
Stephenson had an Authors @Google talk in 2008 [1], which was mostly about his book Anathem. In it he actually addressed what he calls the "Stephenson can't write endings" meme, as he calls it, at 10:54 going on for about three minutes [2]. I think his endings are just fine, myself, and also think that this whole idea that he can't write endings is just a self-perpetuating meme.

[1] https://www.youtube.com/watch?v=lnq-2BJwatE

[2] https://www.youtube.com/watch?v=lnq-2BJwatE&t=10m54s

Snow Crash is a much better book if you skim all the stuff about the ancient Mesopotamians. He gets a little off into the weeds with that stuff, and apparently the editor failed to cut things back properly.
Definitely finish the book. Are you at the weird ancient studies part of the book? It wraps up quick and gets right back to awesome.
I still can't believe he willingly worked at Intellectual Ventures -- largely considered the most egregious (successful?) patent troll. I still purchase, read, and enjoy each of his books... but I feel a small pang of guilt knowing that some of his ideas may have originated from a shady organization.

Neal, if you're reading... perhaps you could shed some light and assuage our misgivings?

He draws a distinction between Intellectual Ventures and Intellectual Ventures Labs (where he worked):

http://corporation9592.com/Intellectual_Ventures.html

Also ripping off all his fans (including myself) on his failed kickstarter.

Stick to books Neal.

I'm just getting into Neal's work. I saw Snow Crash on a list of best sci-fi (maybe via HN) and started there. I then read Diamond Age and just finished Cryptonomicon (which I really liked—probably my favorite of the three).

I started reading Anathem, which I know is seen as his "seminal work" but it's been a slow start for me: all the made-up vocabulary combined with strange names makes it a very disjointed reading experience.

I read the first chapter of Seveneves back in May, so that one is on the list, as is The Baroque Cycle.

I had the same experience with Anathem. It is a little hard to get in at first. But about 200 pages in, it really starts rolling. Great mix of world, plot, characters, and ideas. (Ultimately, it is a mashup of Plato and quantum mechanics.)
A bit of warning about Seveneves: treat it as a duology. A lot of readers complain about the pacing problems caused by that 5000-year jump the article mentions. Basically, the pace slows down to a crawl again at that point and starts slowly building up.

If you treat Seveneves as one book, that might annoy you. If you treat it as two books, published at the same time so you don't have to wait for the next one after you've finished the first, then it suddenly makes sense.

And if you're used to Neal's writing style, then you already possess the patience you need with almost every one of his books, because they usually start slow and build up a tremendous momentum over time, until they reach a frantic pace and then they just... stop ;)

Don't get me wrong, I love his books, but I'm all too aware that you simply have to get used to his style and "forgive" him for certain aspects of it. I know I can and do, but I also know people who can't.

If by chance you missed it, there is a glossary at the end of the book. (I've seen some comments from people who didn't notice until they finished it.)

Also, if you enjoyed the Shaftoes and Waterhouses of Cryptonomicon, consider putting the Baroque Cycle before Seveneves.

Interface is oft forgotten, but it is a very good book, and very timely with era of billion dollar presidential campaigns and industrial strength data mining.
> just finished Cryptonomicon (which I really liked—probably my favorite of the three).

I pretty much gave up Stephenson after I got half way through "Cryptonomicon". (Really enjoyed "Snowcrash" and loved "Diamond Age"). But then I read (half of) it after I'd just finished Singh's "The Code Book".

It just felt like Stephenson's science and drama subtracted from the real-world science and drama the book was inspired by.

My theory was that after "Diamond Age" he couldn't get an editor that dared cut his manuscripts in half any more. But I'm willing to give some of his newer books a chance -- I see they're quite well received by people that seem to like other good books :-)

If you enjoyed "Snow Crash", you might also enjoy (or hate...) Bruce Sterling's "Islands in the Net".

Anathem is seen as his seminal work? Huh. It is, by far, my least favorite of his books.

The Baroque Cycle is fantastic and I just finished Seveneves which is really good as well.

FYI ... we've posted some behind the scenes video as well as some illustrations at Neal's site -- http://seveneves.lithive.com and will be sharing some beautiful illustrations of some of the vehicles in the next day or so.
video is interesting. thanks.
Neal Stephenson is my favorite contemporary writer. I really think he stands apart — his ideas are big, varied, and interesting, and he doesn't limit himself to one particular corner of fiction. Definitely worth checking out, if you haven't read his work.

I'd especially recommend "The Diamond Age" to start with.

I only read The Diamond Age. It's setting is grand, immaginative and full of detail. I was specially enamored with the concept of "ractors".

But the last 100 pages left me extremelly dissapointed. Some plot threads go nowhere, others intersect "just because". The whole ending sequence was weird and happened too fast. I guess there was some moral or meaning to the end, but if there was i just didn't get it).

And there was a disgusting thing that happened that left me really disturbed. (I'm usually NOT disturbed by that kind of situation. I guess I was just really attached to the character. And the way it was written was tactless and too casual).

But I loved the rest of the book. I think of it as a great meal with a crappy desert :)

EDIT: About "Ractors": After VR sets in, I can totally see "racting" being the next big thing for entertainment!

EDIT 2: Forgot a "not" in there.

Snow Crash is much lighter fare, and my usual suggestion for people who want to try Neil Stephenson. Though with the audience here, Cryptonomicon is probably a good bet.
I really hope Seveneves is the first of a series. It left a few seemingly important dangling questions and teasers.

Also, I wonder if he's angling for an RPG spinoff. Not to give too much of the last third up but the character types felt very 'rpg class-ish' to me at the end complete with complementary factions.

I would pretty much buy anything Stephenson writes, but I wasn't all that happy with this book. It's very depressing in that you get a look at the deaths of billions of people, something they all know about well ahead of time. I found myself reading it the same way Cory Doctorow describes here: http://boingboing.net/2015/06/03/neal-stephensons-seveneves....

> Stephenson builds up a sense of brutal inevitability, of humanity's insignificance in the cosmos that had me putting the book down for hours at a time, unable to read on (but my curiosity always overcame my sorrow).

The final (future) part of the book was more fun; I could have gone for just that with some references to what happened in the past. Indeed, there were various things that didn't feel wrapped up at the end, and I wonder if there's a sequel coming or he's just going to leave it like that.

Perhaps because I didn't care much for the first part, I found myself more critical of some of the science fiction too.

I just finished reading Seveneves (his latest book, which this interview is mostly about), and quite liked it. It is quite depressing though.
Good to hear, I've been looking for another hard science fiction book since The Martian.
I'm sort of curious how you set up "and then the moon explodes".

Is this the sort of event that has a theoretical foundation in astronomy or physics?

Seconded! I really enjoyed it - fun hard scifi and almost like two different books (and sets of characters) in one!
for the last few decades, the kinds of really smart geeks who in the 50s and 60s would have been building rockets or something have been moving to Silicon Valley and creating startups to make little apps.

Ouch! So close to home. So true. But now we've automated the process - http://tiffzhang.com/startup/ - those people can get back to something more useful, like finally learning IPv6 to allow us to build mesh networks for swarming spacecraft to evade inbound asteroids.

I'm almost done with seveneves and the thing that gets me is how defensive his wrighting has become.

He explains every semi-technical concept in excruciating detail as if he expects an army of angry nerds to tear the book to shreds if he doesn't explain early research into how whips work or the theoretic underpinnings of how swarming algorithms work.

Oh, Neal Stephenson, ins't that the guy from this one sword fighting game on kickstarter?
This is sort of like saying, "Oh, Richard Stallman. Isn't that the guy who sings Hungarian folk songs?"